The production passport now carries the Camera's plan for every scene, numbers its locations and props, and says who on the production directs each agent. And a Director's brief now opens the window of the department it was written for. And a session recorded from the ? can now carry your voice.
NewSupportRecord with microphone: the ? menu can record your voice with the screen, so you can say what you are trying to do while you do it. The team hears it in step with the replay of your session. A microphone you would rather not share is simply refused — the screen is recorded all the same.
NewExportCamera in the passport: every scene's breakdown sheet lists its shots — size, function, angle and height, movement, lens, duration, who is in frame and what the shot is for — exactly as the DoP window shows them, your edits included.
ImprovedExportThe passport's breakdown is now a fixed form: every category sits in the same place on every scene, an empty one is marked with a dash, and a scene that does not fit starts on a fresh page instead of dropping categories.
ImprovedExportLocations are numbered L01, L02… and props P001, P002…, and every scene sheet carries the number of its location and of the props it lists, so the pages can be read against each other.
NewExportWho directs the crew: each agent in the passport names the people who direct it — the seat you gave them in Share, else whoever actually ran it — and a production team page lists the owner and everyone working on the film, with the agents each of them works with.
NewDirectorA brief in the Director's Briefs stage now has a button that opens its department's own window on that scene — the Production Designer's, the DoP's, Casting, Props, Sound and the rest.
NewDirectorA scene's breakdown opens its departments: next to Props, Set dressing, Wardrobe, Makeup/Hair, Sound and Music is a button to that department's window on the scene, and a character listed as present opens in Casting — in the scene window and in the Director's Scenes stage alike.
ImprovedDirectorThe crew now reads and writes with Claude Sonnet 5: script analysis, breakdowns, shot lists, briefs and poster titles all run on the current model, and a full pipeline pass costs about a third less.